Corporate intrigue at the heart of K-pop

A takeover battle sheds light on the industry’s unusual vertical integration


Fans of South Korea’sKHYBEBTSSMHYBEHYBE SM HYBESMKSMHYBEBTS wildly successful pop industry are used to the intrigue surrounding new groups, band members’ romances and their misbehaviour. Now a new source of -pop drama has emerged from an unexpected quarter. On February 10th , an entertainment house which represents the genre’s biggest name, , agreed to buy a 14.8% stake in Entertainment, a rival, from its founder and former chief producer, Lee Soo-man. Mr Lee, who is no longer involved in his firm’s day-to-day business, would be left with roughly 4%, making its largest shareholder. In pursuit of an even closer tie-up, simultaneously launched a tender offer to buy another 25% at a similar premium to the shares’ market price that it is paying Mr Lee. Entertainment says it will resist any attempt at a hostile takeover. The stage is set for a corporate showdown worthy of any pop feud. and Entertainment are the two largest listed -pop companies, with a combined market capitalisation of nearly $9bn. A full merger would create an industry powerhouse, capturing a large chunk of South Korea’s music-production business. Entertainment is particularly strong in talent-scouting. Three years ago it established its own school in Seoul, which now offers three-year courses in everything from vocals and dance to production. , for its part, dominates music distribution through Weverse, a digital platform that hosts exclusive content such as live-streamed concerts and lessons where members teach foreign fans Korean.

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